This essay Feminism In The Crime Film Genre has a total of 2126 words and 8 pages.
Feminism in the Crime Film Genre
Throughout motion picture history, women have experienced more transition in their roles, as a result of changing societal norms, than any other class. At first, both society and the movie industry preached that women should be dependent on men and remain in the home, in order to guarantee stability in the community and the family. As time passed and attitudes changed, women were beginning to be depicted as strong willed, independent minded characters, who were eager to break away from convention. The genre of the crime film represents such a change in the roles handed to women. Two films that can be contrasted, in order to support this view, are: The Public Enemy by William Wellman (1931) and Bonnie &Clyde by Arthur Penn (1967).
In The Public Enemy, women are portrayed as naive and/or objects of carnal pleasure by men. In this period, women were often categorized as mothers, mistresses, sisters, or ladies. Ma Powers (played by Beryl Mercer), the lead character Tom Powers?(played by James Cagney) mother, is easily fooled by Tom?s fake stories about where he get his money and doesn?t believe that her "baby boy" could be a vile gangster. At one point during prohibition, when Tom brings home a barrel of beer, she doesn?t even question where he obtained it, but rather takes a drink for herself. Ma Powers is the prototypical mother of the 1930?s. She is blind to the ways of the world and doesn?t see the danger of things, even in regard to her own children. She is a widow who does not work, but is supported by her sons. She is even blind to the fact that her sons hate one another. Even though, her Tom was sadistic killer and gangster, she always welcomes him back lovingly with open arms. At the end of the movie, she gets a phone call saying that Tom will be coming home from the hospital, where he had been treated for a gunshot. She rushes upstairs to make his bed and get his room ready, when the doorbell rings and the rival gang drops of Tom?s gun riddled body.
The other women who appear in the movie are portrayed as fast women who are sexual object to be enjoyed by Tom, until he gets tired of them and then throws them away. In one famous movie seen, Tom doesn?t appreciate what his mistress moll Kitty (played by Mae Clarke) said to him, so he wickedly squeezes half of a grapefruit into her face. She is left there belittled, too afraid to stick up for herself.
With the 1960?s, came confusion in the dominant culture about women?s roles in the cinema. Women were now being portrayed as powerful, unpredictable, and possessing a mysterious sexual power, which they used to elude male control. The 1960?s also brought with it his tensions that resulted the escalating war in Vietnam, the assassination of John F. Kennedy, black ghettos going up in flames, the women?s liberation movement, the youth anti-war rebellion and free love theme, and the Civil Rights movement. It was safe to say that the American public had violence on its mind and the movie industry capitalized on the public?s apprehensions. Director Arthur Penn used Bonnie & Clyde as his medium to imprint the rebellious tone of the 1960?s and the uncertainty of the dominant values and norms of society.
When we?re first introduced to the character of Bonnie Parker (played by Faye Dunaway), the camera focuses on her as she is admiring her naked body in the mirror. She then falls back on her bed and the camera views her from the outside of her bed rails, in order to give the viewer the impression that she feels imprisoned by her everyday life. Then, she looks out her window and sees a man attempting to steal her mother's car on their front yard lawn. She calls out to him and hurriedly puts on clothes to meet him outside. He quickly intrigues her curiosity by saying that she looks like a movie star stuck in a boring waitress? job, while telling her that he is a bank robber. She asks him to prove that he is not a "faker", so he shows her his gun and, immediately turned on by it?s erotic dangerousness, dares him by saying, " you wouldn't have the gumption to use it." To impress her, he
Topics Related to Feminism In The Crime Film Genre
Barrow Gang, English-language films, Road movies, Bonnie and Clyde, American outlaws, Frank Hamer, Bonnie Clyde, Clyde, Bonnie, Denver Pyle, Faye Dunaway, Arthur Penn, beryl mercer, william wellman, james cagney, doorbell rings, societal norms, carnal pleasure, motion picture history, enemy women, arthur penn, film genre, sadistic killer, crime film, rival gang, two films, history women, bonnie clyde, movie industry, public enemy, mistresses, gunshot
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