Cultural Analysis on Death and the Afterlife

Jeff Jin Hung Tong

If there is one constant in this world, it would surely be death. Dying is an unavoidable part of life. Indeed, everything that lives will at sometime die. The fear of death is held by everyone. Perhaps it is the correlation of death with pain or the unknown state of the human consciousness after death, maybe a combination of both, that creates this fear. The fear felt is undoubtedly universal, however, the ways in which it is dealt with are varied and diverse. The concept of human mortality and how it is dealt with is dependent upon one?s society or culture. For it is the society that has great impact on the individual?s beliefs. Hence, it is also possible for other cultures to influence the people of a different culture on such comprehensions.

The primary and traditional way men and women have made dying a less depressing and disturbing idea is though religion. Various religions offer the comforting conception of death as a begining for another life or perhaps a continuation for the former. Christians, for example, believe that souls that have lived by the words of their God will exist eternally in heaven as divine beings themselves. This conception of an afterlife is generally what we people who are residents of the Unitied States hold to be true. For American culture has its roots in Europe and European culture was and is still influenced by Christian faiths. Similar to Christianity, the Hinduism also eases the fear of death by presenting a life after death. Disimilarities present themselves in the two faiths concerning exactly what kind of afterlife is lived. Believers of the Hindu faith expect to be reincarnated after their demise, either as an animal or human being depending on the manner in which their lives were carried out. These ideals have influenced our culture though our use of language and thought. The implications are apparent in the common references to one?s past lives. For instance, if someone has a natural talent for music one may refer to the person as being once a talented musician in a past life. A religion which describes death as a continuation of existance is held by the Crow tribe of middle America. They viewed death as a journey with the final destination as a place where all their anscestors have gone before them. This notion of an afterlife eased the tribes assimilation into Christian culture when colonists came in contact with the Native Americans during the colonial expansion period.

Examining further into the past, myths were first used to explain the conclusion to one?s life. Looking at what little literature that has been found which has been writen by the Sumerians, a picture of an afterlife is formed. Their idea of an afterlife is illustrated though the Epic of Gilgamesh. The death of the protagonist?s friend, Enkidu, allows the reader a glimpse into this existance. Enkidu describes the afterlife as being spent underground for all time, doing exactly nothing that is either enjoyable or exciting. The concept from the Ancient Sumerians have definitely influenced the Ancient Greeks. The Greeks believed in an ?underworld? in which they spent eternity in. The realm was a shadow of their formal lives. Happiness was not conceivable in their afterlife. In turn, the Roman culture was greatly influenced by the Grecian concepts of death. The Romans incorporated the Greek gods into their religion and also their notions of the afterlife. These notions were then expanded to include different levels of the underworld where certain types of people resided. Take for example in Virgil?s Aenied, Aeneas the main character journeys into the underworld to visit his father. He initially arrives in a place for lost souls and then reaches the Elysian Fields (Elysium) where great heros, warriors, and people of talent dwell. The Roman culture, in turn, influenced the various cultures of Europe during the middle ages slightly before the enlightenment. The pagan religion the Romans believed in were replaced with Christian concepts of an afterlife, however, the notion of the underworld was kept and modified. Once again the incorporators made the underworld more elaborate and redifined it as ?Hell?. In Dante Alighieri?s Divine Comedy, the first book, The Inferno, describes the underworld with significantly more levels each of which descended to lower levels that contained increasingly ironic and torturous punishments. These levels